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eat sleep dance sticker *g847* 8

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He was at a studio collaborating with veteran R&B disco musician, producer and songwriter Nile Rodgers, who had a typical response to the instrument. Urban says, “When I pull it out of the case, people are always like, ‘Really? You’re going to (play) a six-string banjo?”. We’re speaking while the country singer-songwriter is at the mixing board in a Hollywood recording studio, putting finishing touches on his eighth studio album, “Ripcord.”. “Any session I’ve ever walked into, whether it’s with Nile, or whoever,” he continues, “the minute I start playing, people go, ‘Oh, right!’ ”.

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But the dance-making partners have grown increasingly confident in artfully filling the stage with dozens of people, and their latest work is their most populous yet. Garrett + Moulton Productions is presenting the world premiere of “Speak, Angels,” an evening-length work for 24 dancers, six singers and an instrumental septet led by composer/bass clarinetist Jonathan Russell, their longtime musical muse. The debut will be July 28-31 at the Yerba Buena Center for the Arts Theater. Putting 37 people on stage might sound like the makings of a train wreck, but Garrett and Moulton have been honing their “movement choir” format over the past seven years.

The Ohlones, Then and Now: The Saratoga Historical Foundation presents a new exhibit covering the lifestyle of the Ohlones when they lived in Northern California, Through June 28; museum hours Friday and Sunday, 1-4 p.m., and Saturday, 10 a.m.-4 p.m, Saratoga History Museum, 20450 Saratoga-Los Gatos Road, Saratoga, For more information, call 408-867-4311, saratogahistory.com, Thinking Outside the Frame: A juried group printmaking exhibition featuring works that fall outside of the realm of traditional printmaking, including large-scale prints, installation and book arts, Through Sept, 30, New Museum Los Gatos, 106 E, Main St., Los Gatos, eat sleep dance sticker *g847* 8" vinyl ballet ballerina tap jazz shoes team 408-354-2646, numulosgatos.org..

“This festival wasn’t created to compete with Coachella or FYF or the Observatory festivals,” Halperin says. “It was to bring music to Long Beach. It wasn’t, ‘Hey, let’s try to compete with the big boys!’”. Halperin says that because Long Beach is often skipped by bands playing Los Angeles or Orange County, and because Music Tastes Good also featured a variety of higher-end food and drink offerings, it carved out its own spot on the menu of festivals, which is key to survival. “If everyone is doing their own thing, every one has their own feel, and if people are going after their own demographics I don’t see much of an issue,” he says. “I think we can all coexist for the most part.”.